{"id":7507,"date":"2021-12-01T18:28:25","date_gmt":"2021-12-01T17:28:25","guid":{"rendered":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/?p=7507"},"modified":"2022-02-10T22:36:47","modified_gmt":"2022-02-10T21:36:47","slug":"vortrag-und-workshop-mit-claire-bishop-information-overload-research-based-art-and-attention","status":"publish","type":"post","link":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/en\/vortrag-und-workshop-mit-claire-bishop-information-overload-research-based-art-and-attention\/","title":{"rendered":"Vortrag & Workshop mit Claire Bishop: Information Overload \u2013 Research-based Art and Attention"},"content":{"rendered":"\n

Am 13. und 14. Januar 2022 ist Claire Bishop f\u00fcr einen Vortrag und einen Workshop virtuell bei uns zu Gast. Beide Veranstaltungen werden auf der Plattform Zoom in englischer Sprache stattfinden.<\/p>\n\n\n\n

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Claire Bishop ist Kunstkritikerin und Professorin im PhD-Programm \u201aArt History\u2019 am Graduate Center der City University of New York. Sie ist Contributing Editor von Artforum und ihre Essays und B\u00fccher wurden in zwanzig Sprachen \u00fcbersetzt, dazu geh\u00f6ren Artificial Hells: Participatory Art and the Politics of Spectatorship (Verso, 2012), und Radical Museology, or, What’s Contemporary in Museums of Contemporary Art? (Walther K\u00f6nig, 2013). Derzeit arbeitet sie an zwei neuen Buchprojekten: einer kurzen Publikation \u00fcber Merce Cunninghams Events und einer Sammlung von Essays \u00fcber zeitgen\u00f6ssische Kunst und Attention. Ihre j\u00fcngste Ver\u00f6ffentlichung ist ein Buch mit Gespr\u00e4chen mit der kubanischen K\u00fcnstlerin Tania Bruguera (Cisneros, 2020). <\/p>\n\n\n\n

Der Vortrag am 13. Januar um 18 Uhr wurde in Kooperation mit Theaterforschung Ruhr<\/a> organisiert. Unter dem Titel: “Information Overload: Research-Based Art and Attention” gibt Claire Bishop einen kritischen \u00dcberblick \u00fcber “research-based art”, eine Art von Installationspraxis, die durch die Verwendung von Text und Dokumenten und eine F\u00fclle r\u00e4umlich verteilter visueller Materialien gekennzeichnet ist. Dabei zeichnet Bishop eine Genealogie der Entstehung dieser Arbeiten in den fr\u00fchen 1990er Jahren nach und beleuchtet die Ver\u00e4nderungen der letzten drei Jahrzehnte vor dem Hintergrund der Entwicklungen digitaler Technologie und des zunehmenden Drucks einer Aufmerksamkeits\u00f6konomie. Der Vortrag argumentiert, dass das, was diese Arbeiten in den 1990er Jahren auszeichnete \u2013 ein post-hermeneutischer Forschungsansatz, ein neues Verst\u00e4ndnis von Zuschauer:innenschaft als Arbeit und einem Overload an Information (statt eines Widerstandes dagegen) \u2013 heute so nicht mehr haltbar ist und dass es neue Ans\u00e4tze des Erz\u00e4hlens braucht.<\/p>\n\n\n\n

Der Vortrag ist f\u00fcr alle Interessent:innen ge\u00f6ffnet. Eine Anmeldung ist via E-Mail an theaterforschung@rub.de<\/a> m\u00f6glich. <\/p>\n\n\n\n

Am 14. Januar konnten wir Claire Bishop zudem f\u00fcr einen Workshop gewinnen. Dieser findet kollegsintern <\/strong>von 15-17 Uhr statt. Interessierte Mitglieder des Graduiertenkollegs k\u00f6nnen sich via Mail an das-dokumentarische@rub.de <\/a>anmelden.<\/p>\n\n\n\n

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From 13th to 14th of January 2022 Claire Bishop is our guest and will hold a lecture and a workshop via Zoom. Both events will be in English. <\/p>\n\n\n\n

Claire Bishop is a critic and professor in the PhD Program in Art History at the Graduate Center, City University of New York. Her books include Artificial Hells: Participatory Art and the Politics of Spectatorship <\/em>(Verso, 2012), and Radical Museology, or, What\u2019s Contemporary in Museums of Contemporary Art? <\/em>(Walther K\u00f6nig, 2013).
She is a Contributing Editor of Artforum<\/em>, and her essays and books have been translated into twenty languages.
She is currently working on two books: a short publication about Merce Cunningham\u2019s Events, and a collection of essays about contemporary art and attention. Her most recent publication is a book of conversations with Cuban artist Tania Bruguera (Cisneros, 2020).  <\/p>\n\n\n\n

This lecture is a critical survey of \u201cresearch-based art,\u201d a type of installation practice characterized by the use of text and documents to support an abundance of visual materials, distributed spatially. Claire Bishop offers a genealogy for the emergence of this work in the early 1990s, and chart changes since over the past three decades through the lens of developments in digital technology (the Internet) and the pressures of an attention economy. The paper argues that the innovations of this work in the 1990s\u2014a post-hermeneutic approach to research, a reconfiguration of spectatorship as labour, and an exacerbation of (rather than resistance to) information overload\u2014no longer operate today, and that new approaches to language and storytelling are necessary.<\/p>\n\n\n\n

The digital lecture (13.01.2022) is open for everybody. If you are interested in attending, please register via e-mail to theaterforschung@rub.de<\/a>. <\/p>\n\n\n\n

Additionally, we are pleased that there will be a digital workshop by Claire Bishop at the 14th of January 2022. Which will take place internally. If you are a member of the Graduiertenkolleg you can register via mail to das-dokumentarische@rub.de<\/a>.<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

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