{"id":6653,"date":"2021-05-05T12:56:49","date_gmt":"2021-05-05T10:56:49","guid":{"rendered":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/?p=6653"},"modified":"2021-05-05T12:56:52","modified_gmt":"2021-05-05T10:56:52","slug":"vortragsreihe-theater-forschung-ruhr","status":"publish","type":"post","link":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/en\/vortragsreihe-theater-forschung-ruhr\/","title":{"rendered":"Vortragsreihe \u201eTheater Forschung Ruhr\u201c des Instituts f\u00fcr Theaterwissenschaft"},"content":{"rendered":"\n

Im Sommersemester 2021 veranstaltet das Institut f\u00fcr Theaterwissenschaft der Ruhr-Universit\u00e4t Bochum die Vortragsreihe \u201eTheater Forschung Ruhr\u201c. Sie besteht aus zwei Vortr\u00e4gen internationaler Forscher*innen, die via Zoom stattfinden:<\/p>\n\n\n\n

11. Mai, 18-20 Uhr: Keller Easterling (Yale): Medium Design<\/em><\/strong><\/h4>\n\n\n\n
\n
Anmeldung: Vortrag Easterling<\/a><\/div>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

Medium Design<\/strong><\/em><\/h4>\n\n\n\n

Medium Design\u00a0<\/em>inverts the typical focus on object over field, to work on the medium\u2014the matrix space between objects, events and ideological declarations. And it disrupts some habitual approaches to the world\u2019s intractable dilemmas\u2014from climate cataclysm to inequality to concentrations of authoritarian power. From this perspective, solutions are mistakes, ideologies are unreliable markers, and an innovation can be a protocol for the way things combine. Rather than the modern desire for the new, designers find more complexity in relationships between emergent and incumbent technologies. Encouraging entanglement, medium design does not try to eliminate problems but rather put them together in productive combinations. It offers some additional activist tools for outwitting political superbugs and modulating power and temperament in organizations of all kinds.<\/p>\n\n\n\n

\n\n\n\n

11. Juni, 10-12 Uhr: Eiichir\u00f4 Hirata (Tokio): Noh als Theater der Differenz<\/em><\/strong><\/h4>\n\n\n\n
\n
Anmeldung: Vortrag Hirata<\/a><\/div>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

Noh als Theater der Differenz<\/em><\/strong><\/h4>\n\n\n\n

In vielen St\u00fccken des Noh-Theaters, das im vierzehnten Jahrhundert entstand und dessen Darstellungsstile sich ca. im siebzehnten Jahrhundert etablierten, sehen die Figuren und Darstellungsweisen f\u00fcr heutige Betrachter*innen oft \u00e4hnlich aus. Sie scheinen ausschlie\u00dflich in den beliebten Differenzen ihre kleineren Eigenheiten zum Ausdruck zu bringen. Tats\u00e4chlich aber sind sie nicht ganz \u00e4hnlich, sondern zwischen den Figuren gibt es oft eine soziale und politische Kluft, die sie voneinander trennt. Sie sehen nur differenziert \u00e4hnlich aus, weil ihre Existenz auf einer zuf\u00e4lligen Gesellschaftsstruktur basiert und sie die Grundlosigkeit der Existenz gemeinsam haben. In der Tat er\u00f6ffnet sich zwischen den \u00e4hnlich aussehenden Figuren die Distanz z.B. zwischen einen Lebenden und einen Toten, zwischen den Adligen und den sozial Vernachl\u00e4ssigten usw.<\/p>\n\n\n\n

Wenn man sich in Noh-Auff\u00fchrungen die spezifische Konstellation der \u00e4hnlich aber ganz unterschiedlichen Differenzen n\u00e4her ansieht, bemerkt man, dass diese andeutungsweise das Zuschauen selber in Frage stellen und den Zuschauer*nnen eine andersartige Betrachtungsweise anbieten. Anhand einiger Beispiele untersucht der Vortrag die Frage, inwiefern dieses andersartige Sehen einen Sinn bringt.<\/p>\n\n\n\n

\n\n\n\n

Der Vortrag von Keller Easterling wird erm\u00f6glicht durch die AnGuS-F\u00f6rderung “Infrastruktur: \u00c4sthetik und Versorgung”. Der Vortrag von Eiichir\u00f4 Hirata findet in Kooperation mit unserem Kolleg statt.<\/p>\n\n\n\n

Weitere Informationen finden Sie hier<\/a>. F\u00fcr Kontakt und Fragen wenden Sie sich bitte an theaterforschung@rub.de<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Im Sommersemester 2021 veranstaltet das Institut f\u00fcr Theaterwissenschaft der Ruhr-Universit\u00e4t Bochum die Vortragsreihe \u201eTheater Forschung Ruhr\u201c. Sie besteht aus zwei<\/p>\n","protected":false},"author":10,"featured_media":6657,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_uag_custom_page_level_css":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[8,16],"tags":[],"class_list":["post-6653","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-veranstaltung","category-vortrag"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"yoast_head":"\nVortragsreihe \u201eTheater Forschung Ruhr\u201c des Instituts f\u00fcr Theaterwissenschaft - GRK Das Dokumentarische. 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