{"id":3245,"date":"2018-08-23T16:33:26","date_gmt":"2018-08-23T14:33:26","guid":{"rendered":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/?p=3245"},"modified":"2018-11-13T22:54:17","modified_gmt":"2018-11-13T21:54:17","slug":"gegen_dokumentation","status":"publish","type":"post","link":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/en\/gegen_dokumentation\/","title":{"rendered":"Conference: GEGEN\\\\DOKUMENTATION | 08.-10.11.2018"},"content":{"rendered":"\n\n\n
\\\\ Info & Programme<\/strong><\/a><\/td>\n\\\\ Call for Papers<\/strong><\/a><\/td>\n\\\\ Registration<\/strong><\/a><\/td>\n\\\\ Location<\/strong><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n

From November 08.\u201310., 2018 the Research Trainign Group will be hosting the international Conference GEGEN\\DOKUMENTATION (AGAINST\\DOCUMENTATION) <\/strong>at the Situation Kunst<\/em> in Bochum.<\/p>\n

About the Conference<\/h3>\n
The counter\\documentary (das Gegen\\Dokumentarische<\/strong>)<\/strong> is a response to the provocation inherent in the notion of the documentary (das Dokumentarische). The provocation we are addressing lies in the claim or desire to capture, represent, and control \u2018reality\u2019. Ever since documentary practices are used, there have also been interventions against them. For us, the notion of the counter\\documentary delineates a deliberately strategic attempt to antithetically sharpen and politicize the understanding of documentary media, operations, institutions, poetics, aesthetics, ways of writing, and modes of representation. We want to discuss what the counter\\documentary can be or should be in different contexts by proceeding from both academic and artistic stances. The authority of the documentary intervenes in areas of conflict like identity, politics and history by constituting realities. Therefore, it also touches upon questions of gender, nationality, racism and propaganda. Every act of documentation produces an outside or other. The notion of the counter-documentary is instrumental to address and describe different aspects of this antagonistic moment.<\/div>\n
 <\/div>\n
\n
\n<\/div>\n
To our international guests: We will offer a simultaneous translation from German to English for all German presentations during the conference (except for the panel discussion on Thursday).<\/em><\/div>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

PROGRAMME<\/h2>\n

(Abstractbook as PDF download) <\/a><\/td>\n<\/tr>\n

\n

THURSDAY \\ 08.11.2018<\/strong><\/h3>\n<\/td>\n<\/tr>\n

14:00 \u2013 14:30<\/td>\nWelcome<\/strong><\/td>\n<\/tr>\n
14:30 \u2013 16:00<\/td>\n\n

SLOT 1<\/strong><\/h4>\n

\\\\ Lisa Gitelman<\/strong> (New York)<\/em>
\nTime Travel, Or, Four Reasons Why PDFs Are Everywhere<\/p>\n

\\\\ Rupert Gaderer <\/strong>(Bochum)<\/em>
\nPierre Rivi\u00e8re: Eine Fallgeschichte des Gegendokumentarischen<\/td>\n<\/tr>\n

16:00 \u2013 16:30<\/td>\nCoffee break
\n<\/em><\/td>\n<\/tr>\n
16:30 \u2013 18:00<\/td>\n\n

SLOT 2<\/strong><\/h4>\n

\\\\ Laliv Melamed <\/strong>(Frankfurt a. M.)<\/em>
\nA NonReport. Operative Images and the Politics of the Secret<\/p>\n

\\\\ Sebastian K\u00f6the<\/strong> (Berlin)<\/em>
\n\u00bbImages Of Poor Quality.\u00ab Die Aneignung
\ngeheimdienstlicher Bilder in You Don\u2019t Like The Truth<\/em><\/td>\n<\/tr>\n

18:00 \u2013 18:30<\/td>\nReception<\/em><\/td>\n<\/tr>\n
18:30 \u2013 20:00<\/td>\n\n

Panel discussion <\/strong>(in German)<\/em>
\n<\/strong><\/h4>\n

\\\\ Friedrich Balke <\/strong>(Bochum) <\/em> \\\\ Astrid Deuber-Mankowsky <\/strong>(Bochum) <\/em>\\\\  Julika Griem <\/strong>(Essen) <\/em>\\\\ Dietmar Kammerer <\/strong>(Marburg) <\/em>\\\\  Alexandra Schneider<\/em><\/strong> (Mainz) <\/em>\\\\ Renate W\u00f6hrer <\/strong>(Berlin) <\/em><\/td>\n<\/tr>\n

\n

FRIDAY \\ 09.11.2018<\/strong><\/h3>\n<\/td>\n<\/tr>\n

9:30 \u2013 11:00<\/td>\n\n

SLOT 3<\/strong><\/h4>\n

\\\\ Peter Rehberg <\/strong>(Berlin)<\/em>
\nBeyond Orientalism and Police Surveillance: The Opaqueness of Male Forms in the Photographs of George Awde<\/p>\n

\\\\ Rembert H\u00fcser <\/strong>(Frankfurt a. M.)<\/em>
\n7 Wolken f\u00fcr G20<\/td>\n<\/tr>\n

11:00 \u2013 11:30<\/td>\nCoffee break
\n<\/em><\/td>\n<\/tr>\n
11:30 \u2013 13:00<\/td>\n\n

SLOT 4<\/strong><\/h4>\n

\\\\ Markus K\u00fcgle <\/strong>(Mannheim)<\/em>
\n\u00dcber Dokumentationen als Argumentationen \u2013 Die dokumentarische Tricktechnik von Teheran Tabu<\/em> als Katachrese<\/p>\n

\\\\ Simone Dotto<\/strong> (Udine) \\\\ Francesco Federici <\/strong>(Venedig)<\/em>
\nResounding Ruins: Making History through Sonic Documents in Contemporary Arts<\/td>\n<\/tr>\n

13:00 \u2013 14:30<\/td>\nLunch break
\n<\/em><\/td>\n<\/tr>\n
14:30 \u2013 16:00<\/td>\n\n

SLOT 5<\/strong><\/h4>\n

\\\\ Patricia Prieto-Blanco<\/strong> (Brighton) \\\\ Tanja Kova\u010di\u010d <\/strong>(Galway)<\/em>
\nThe counter documentary through Resilience, (Post-)Memory and Affordances<\/p>\n

\\\\ Julia Reich <\/strong>(D\u00fcsseldorf)<\/em>
\nWas bleibt, wenn nichts bleibt? Zur (gegen)dokumentarischen Praxis bei Tino Sehgal<\/td>\n<\/tr>\n

16:00 \u2013 16:30<\/td>\nCoffee break
\n<\/em><\/td>\n<\/tr>\n
16:30 \u2013 18:00<\/td>\n\n

SLOT 6<\/strong><\/h4>\n

\\\\ Simon Zeisberg <\/strong>(Berlin)<\/em>
\nVon Stalingrad zum Sternenkampf. Alexander Kluges Lernprozesse mit t\u00f6dlichem Ausgang (1973\/2000) als Gegen-Dokumentation des Kalten Kriegs<\/p>\n

\\\\ Jens Schr\u00f6ter<\/em><\/strong> (Bonn)<\/em>
\nDie Gegen\/Dokumentation von Verh\u00e4ltnissen<\/td>\n<\/tr>\n

18:15 \u2013 20:00<\/td>\n\n

FILM PERFORMANCE
\n<\/strong><\/h4>\n

\\\\ cin\u00e9ma copains <\/strong>(Berlin)
\n<\/em>A Random Walk?<\/td>\n<\/tr>\n

ab 20:30<\/td>\nConference Dinner <\/em>(speakers only)
\n<\/em><\/td>\n<\/tr>\n
\n

SATURDAY \\ 10.11.2018<\/strong><\/h3>\n<\/td>\n<\/tr>\n

10:00 \u2013 11:30<\/td>\n\n

SLOT 7<\/strong><\/h4>\n

\\\\ Cecilia Valenti  <\/strong>(Berlin)<\/em>
\nGegenermitteln: Kontr\u00e4re Geschichtsschreibung im militanten Dokumentarfilm<\/p>\n

\\\\ Lutz Koepnick <\/em><\/strong>(Nashville)<\/em>
\nRecords in Motion: Documenting the Real in Multi-Screen Environments<\/td>\n<\/tr>\n

11:30 \u2013 12:00<\/td>\nCoffee break
\n<\/em><\/td>\n<\/tr>\n
12:00 \u2013 13:30<\/td>\n\n

KEYNOTE
\n<\/strong><\/h4>\n

\\\\ Eyal Weizman <\/strong>(London)<\/em>
\nCounter-Investigations<\/td>\n<\/tr>\n

13:30<\/td>\nEnd of the conference
\n<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

\\\\ Info & Programme \\\\ Call for Papers \\\\ Registration \\\\ Location From November 08.\u201310., 2018 the Research Trainign Group<\/p>\n","protected":false},"author":7,"featured_media":3255,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_uag_custom_page_level_css":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[18,8],"tags":[],"class_list":["post-3245","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-konferenz","category-veranstaltung"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"yoast_head":"\nConference: GEGEN\\\\DOKUMENTATION | 08.-10.11.2018 - GRK Das Dokumentarische. 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