{"id":9852,"date":"2023-05-03T11:58:33","date_gmt":"2023-05-03T09:58:33","guid":{"rendered":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/?page_id=9852"},"modified":"2025-08-01T10:49:55","modified_gmt":"2025-08-01T08:49:55","slug":"ying-sze-pek-dr","status":"publish","type":"page","link":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/en\/kollegiat_innen\/ying-sze-pek-dr\/","title":{"rendered":"Ying Sze Pek, Dr."},"content":{"rendered":"\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:22% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"700\" src=\"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/wp-content\/uploads\/2023\/03\/IMG_2953-scaled-e1678967485535-700x700.jpg\" alt=\"ying\" class=\"wp-image-9508 size-full\" srcset=\"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/wp-content\/uploads\/2023\/03\/IMG_2953-scaled-e1678967485535-700x700.jpg 700w, https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/wp-content\/uploads\/2023\/03\/IMG_2953-scaled-e1678967485535-300x300.jpg 300w, https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/wp-content\/uploads\/2023\/03\/IMG_2953-scaled-e1678967485535-150x150.jpg 150w, https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/wp-content\/uploads\/2023\/03\/IMG_2953-scaled-e1678967485535-768x768.jpg 768w, https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/wp-content\/uploads\/2023\/03\/IMG_2953-scaled-e1678967485535-1536x1536.jpg 1536w, https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/wp-content\/uploads\/2023\/03\/IMG_2953-scaled-e1678967485535-600x600.jpg 600w, https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/wp-content\/uploads\/2023\/03\/IMG_2953-scaled-e1678967485535.jpg 1585w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Raum:\u00a0GB 6\/140<br>Telefon: +49 (0) 234\/32-27046<br>E-Mail: ying.pek@ruhr-uni-bochum.de<\/p>\n<\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong><u>Projekt<\/u><\/strong><\/h4>\n\n\n\n<p>Schooling Vision in Postwar Germany (AT)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong><u>Projektbeschreibung<\/u><\/strong><\/h4>\n\n\n\n<p>\u201cSchooling Vision in Postwar West Germany\u201d excavates the country\u2019s media histories of film pedagogy and exhibition to explore the aesthetics and aestheticization of instruction. The interdisciplinary project emphasizes the educational contexts of key filmic and artistic debates around documentary and realism between the 1960s and 1980s. How did experiments in film form and spectatorial engagement draw on and contribute to ideas of \u201cre-education,\u201d learning, and unlearning? Might the staging or documentation of social realities on film give the spectator access to a form of <em>Erfahrung<\/em> or experience lost under capitalist modernity? Examining the images and tropes of pedagogy in canonical and understudied experimental films and video works, this research studies the activities of the Deutsche Film- und Fernsehakademie Berlin and the Abteilung Film\u2014Institut f\u00fcr Filmgestaltung at the Hochschule f\u00fcr Gestaltung Ulm, as well as pioneering West German moving image exhibitions. The project\u2019s axes of investigation include the documentary as a film-historically minded form of counterpublicity, how education films addressed ideals of cybernetic learning and internationalist concerns, and the emerging conventions of a mobile and mobilized spectatorial subject. The current phase of the project focuses on the early films of Skip Norman (1933-2015), works by women filmmakers in the early dffb years, and the early films of Margaret Rasp\u00e9.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\"><strong><u>Wissenschaftlicher Werdegang<\/u><\/strong><\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Seit 3\/2023 | Postdoc am Graduiertenkolleg \u201eDas Dokumentarische. Exzess und Entzug\u201c, Ruhr-Universit\u00e4t Bochum<\/li>\n\n\n\n<li>09\/2022 | PhD,&nbsp;Princeton University, Department of Art &amp; Archaeology. PhD Dissertation: \u201cReality Expanded: The Work of Hito Steyerl, 1998-2015\u201d<\/li>\n\n\n\n<li>2017\u20132019 | Gastforscherin am Graduiertenkolleg \u201eKulturen der Kritik\u201d, Leuphana Universit\u00e4t L\u00fcneburg<\/li>\n\n\n\n<li>2016\u20132017 | Helena Rubinstein Fellow, Critical Studies track, Whitney Museum of American Art Independent Study Program, New York<\/li>\n\n\n\n<li>2016 | MA, Princeton University, Department of Art &amp; Archaeology<\/li>\n\n\n\n<li>2013 | MA, University College London, Department of History of Art<\/li>\n\n\n\n<li>2011\u20132012 &nbsp;| DAAD Graduate Scholarship, Humboldt-Universit\u00e4t zu Berlin<\/li>\n\n\n\n<li>2011 | BA, Yale University, New Haven. Major: art history<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong><u>Publikationen (Auswahl)<\/u><\/strong><\/h4>\n\n\n\n<p><strong>Journals and Edited Volumes<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>&#8220;Diplomatic Camp.&#8221; <em>Southeast of Now: Directions in Contemporary and Modern Art in Asia<\/em> 7(2), 2023: 151-162.&nbsp;<a href=\"http:\/\/muse.jhu.edu\/article\/916551\">muse.jhu.edu\/article\/916551<\/a>.<\/li>\n\n\n\n<li>\u201cThrough the Digital Looking Glass,\u201d in <em>Why Art Criticism?: A Reader<\/em>, eds. Beate S\u00f6ntgen and Julia Voss (Berlin: Hatje Cantz, 2022): 357\u2013358.<\/li>\n\n\n\n<li>\u201cScreens, Layers, Algorithms: A Conversation with Ho Tzu Nyen,\u201d <em>Rosa Mercedes<\/em> 4 (May 2022). https:\/\/www.harun-farocki-institut.org\/en\/2022\/05\/13\/screens-layers-algorithms-a-conversation-with-ho-tzu-nyen\/.<\/li>\n\n\n\n<li>\u201c\u2019Posthuman Documentary\u2019?: Speculation and Critique in Hito Steyerl\u2019s <em>Factory of the Sun<\/em>\u201d in <em>Critique and the Digital<\/em>, eds. Erich H\u00f6rl, Nelly Y. Pinkrah, and Lotte Warnsholdt(Berlin: Diaphanes, 2021): 185\u2013204.<\/li>\n\n\n\n<li>\u201cDesign, Abstraction, and Photographic Art: Max Weber at the White School, 1914-1918,\u201d in <em>Clarence H. White and His World: The Art and Craft of Photography, 1895-1925<\/em>, ed. Anne McCauley (Princeton: Princeton University Press, 2017): 287\u2013298.<\/li>\n<\/ul>\n\n\n\n<p><strong>Encyclopedia Entries<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u201cHito Steyerl,\u201d Oxford Grove Art Online, 2017.<\/li>\n<\/ul>\n\n\n\n<p><strong>Book and Exhibition Reviews<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Review of&nbsp;<em>Everyday Modernism: Architecture and Society in Singapore<\/em>, by Jiat-Hwee Chang and Justin Zhuang,&nbsp;<em>Journal of Architectural Education<\/em>&nbsp;online (July 2024). DOI: https:\/\/doi.org\/10.35483\/JAEOR.7.19.2024.<\/li>\n\n\n\n<li>\u201cReview of Ho Tzu Nyen, \u2018The Critical Dictionary of Southeast Asia,\u2019 2017\u2013ongoing,\u201d in \u201cNo Template: Art and the Technologies of Race.\u201d <em>Media-N: Journal of the New Media Caucus<\/em>, 18 (1), Spring 2022: 157\u2013160. DOI:&nbsp; &nbsp;https:\/\/doi.org\/10.21900\/j.median.v18i1.865.<\/li>\n\n\n\n<li>Review of <em>Girl Head: Feminism and Film Materiality<\/em>, by Genevieve Yue, <em>Konturen: Interdisciplinary Journal for German Cultural Analysis <\/em>12 (2022): 128\u2013133. http:\/\/journals.oregondigital.org\/index.php\/konturen\/article\/view\/4918\/5038<\/li>\n\n\n\n<li>Review of <em>Toward Fewer Images: The Work of Alexander Kluge<\/em>, by Philipp Ekardt, <em>The Germanic Review: Literature, Culture, Theory<\/em>, 94 (3), 2019: 264\u2013267. DOI: 10.1080\/00168890.2019.1627711.<\/li>\n<\/ul>\n\n\n\n<p><strong>Vortr\u00e4ge (Auswahl)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>February 2025 (upcoming) | College Art Association (CAA) Annual Conference 2025, conference panel \u201cOther Germans and German Others: Questions of Identity in Contemporary German Art\u201d | Paper title: \u201cExhibiting Migration in 2020s Germany\u201d<\/li>\n\n\n\n<li>December 2024 | Ruhr-Universit\u00e4t Bochum, Art History Institute,&nbsp;<em>Work Matters<\/em>&nbsp;series | Paper title: \u201c\u201cHand- und Kopfarbeit\u201d: Automatism and Experience in Margaret Rasp\u00e9\u2019s Camera Helmet Films\u201d<\/li>\n\n\n\n<li>October 2024 | x-ights collective and University of Toronto, Jackman Humanities Institute,&nbsp;<em>Bad Timekeepers: A Temporal Insurgency Across Two Cities<\/em>&nbsp;public program series in Toronto\/Seoul; online roundtable discussion \u201cDimensional Praxis: Aesthetics of Labor\u201d | Presentation title: \u201cArt of a Postmigrant Society: The Ruhr Region, Labor Migration, Asian Diasporic Traces\u201d&nbsp;<\/li>\n\n\n\n<li>May 2024 | Universit\u00e4t Paderborn, online workshop&nbsp;<em>LEHRFILM ERFORSCHEN.&nbsp;<\/em>| Paper title: \u201c<em>Lehre<\/em>&nbsp;and Experience in early dffb Women\u2019s and Children\u2019s Films\u201d<\/li>\n<\/ul>\n\n\n\n<p><strong>Organisation von Workshops und Tagungspanels<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>February 2025 | Co-chair, College Art Association (CAA) Annual Conference 2025, New York, conference panel \u201cOther Germans and German Others: Questions of Identity in Contemporary German Art\u201d<\/li>\n\n\n\n<li>January 2025 (upcoming) | Co-organizer, Ruhr-Universit\u00e4t Bochum, Workshop \u201cThe Elusive \u2018Global\u2019: Potential Histories of Art and Media\u201d<\/li>\n\n\n\n<li>January 2025 (upcoming) | Co-organizer, Ruhr-Universit\u00e4t Bochum, Workshop \u201cGebietsneu? Mediale Resonanz zwischen \u00d6kologie und Migration with Nanna Heidenreich<\/li>\n\n\n\n<li>July 2024 | Co-organizer, Ruhr-Universit\u00e4t Bochum, Screening and Workshop \u201cDocumentary Extractivisms\u201d<\/li>\n<\/ul>\n\n\n\n<p><strong>Lehrt\u00e4tigkeit (Auswahl)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Winter 2022\/23 | \u201cBerlin Global: Toward the Contemporary Art of Postmigration\u201d, Humboldt-Universit\u00e4t zu Berlin<\/li>\n\n\n\n<li>Winter 2022\/23 | \u201cApproaches to Global Contemporary Art\u201d, Leuphana Universit\u00e4t L\u00fcneburg<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Raum:\u00a0GB 6\/140Telefon: +49 (0) 234\/32-27046E-Mail: ying.pek@ruhr-uni-bochum.de Projekt Schooling Vision in Postwar Germany (AT) Projektbeschreibung \u201cSchooling Vision in Postwar West Germany\u201d<\/p>\n","protected":false},"author":49,"featured_media":0,"parent":366,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_uag_custom_page_level_css":"","ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-9852","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ying Sze Pek, Dr. - GRK Das Dokumentarische. 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