{"id":5184,"date":"2020-05-18T12:45:56","date_gmt":"2020-05-18T10:45:56","guid":{"rendered":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/?page_id=5184"},"modified":"2022-04-20T11:54:51","modified_gmt":"2022-04-20T09:54:51","slug":"elisa-linseisen","status":"publish","type":"page","link":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/en\/assoziierte-mitglieder\/elisa-linseisen\/","title":{"rendered":"Elisa Linseisen, Dr."},"content":{"rendered":"\n<p><em>(Associated member since 01\/2020)<\/em><\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:27% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"236\" height=\"237\" src=\"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/wp-content\/uploads\/2020\/05\/linseisen.jpg\" alt=\"\" class=\"wp-image-5376 size-full\" srcset=\"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/wp-content\/uploads\/2020\/05\/linseisen.jpg 236w, https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/wp-content\/uploads\/2020\/05\/linseisen-150x150.jpg 150w\" sizes=\"auto, (max-width: 236px) 100vw, 236px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\"><strong><u>Contact<\/u><\/strong><\/h3>\n\n\n\n<p>E-Mail: elisa.linseisen@upb.de<br>Web: <a href=\"https:\/\/kw.uni-paderborn.de\/institut-fuer-medienwissenschaften\/personal-a-z\/personen\/?tx_upbperson_personsite%5BpersonId%5D=83056&amp;tx_upbperson_personsite%5Bcontroller%5D=Person&amp;cHash=1002d1c44a3c1ba03fe577eec6254a88\" target=\"_blank\" rel=\"noreferrer noopener\">Profile on the website of Paderborn University<\/a><\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><u>Title of the PostDoc-Project<\/u><\/strong><\/h3>\n\n\n\n<p><em>Protodokumentarismus. Mit National Geographic epistemische Gegen\/Modelle dokumentarischen Wandels aufsp\u00fcren<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><u>Project Description<\/u><\/strong><\/h3>\n\n\n\n<p>This post-doctoral project seeks to develop a concept of \u2018protodocumentariness\u2019 and point to the necessity of questioning the documentary with respect to its model and prototypical structures by examining the publication formats and associated mass media practices, aesthetics and techniques pursued by the American media company <em>National Geographic<\/em> for over 130 years. The focus is on <em>National Geographic\u2019s<\/em> effective mass media representations of reality, which suggest that it is possible to open up the world comprehensively and directly. This claim allows observation of exemplary, explorative and stereotypical forms of the documentary.<\/p>\n\n\n\n<p>Using the publication to advance a protodocumentarism will enable reciprocal inquiry between theories of the documentary and an epistemological order of the prototypical. This entails, firstly, the idea that the \u2018whole world\u2019 can be represented via prototypical, iconic views, as evidenced not least by the magazine\u2019s covers. Secondly, a second-grade documentarism can be observed. In <em>National Geographic<\/em>, capturing reality aims not only to illustrate it, but also to reveal the production, implementation and effect of these representations.<\/p>\n\n\n\n<p>Ultimately, protodocumentarism can be described as a modelling, anticipatory attitude towards reality. Beyond the ideal of mechanical objectivity, the intervention of illustration in <em>National Geographic<\/em> is abundantly apparent. In considering the question of protodocumentarism in the case of <em>National Geographic<\/em>, this post-doctoral project seeks on the one hand to explore the genuine contradiction of an ostensibly direct representation of reality under the banner of documentation. On the other hand, the project renegotiates the established opposite categories, such as the fictitious, the ideologically manipulative or the pseudofactually deceptive.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><u>Scholarly Career<\/u><\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li>Since January 2020 | Associated member of the DFG post-graduate programmes \u201cThe Documentary. Excess and Withdrawal\u201d, Ruhr University Bochum<\/li><li>Since 11\/2019 | Researcher (post-doc) at the Department of Media Studies under Prof. Dr. Ralf Adelmann, Paderborn University. Research interests: aesthetics of digital imagery, research image practices, media interfaces, media philosophy, format theory, mimesis, video essayism, 3D imagery and stereoscopy, philosophy of science, media studies<\/li><li>12\/2019 | Dr. phil. with the doctoral thesis: \u201cHigh\/Definition\/Images\/Thinking\/Digital. Media-Philosophical Image Processing\u201d.<\/li><li>04\/2017\u201310\/2019 | Researcher in the subproject \u201cMimetic Forms of Existence\u201d, DFG research group \u201c<a href=\"http:\/\/www.fg-mimesis.de\/\" target=\"_blank\" rel=\"noreferrer noopener\">Media und Mimesis\u201c<\/a> (FOR 1867)<\/li><li>&nbsp;10\/2014\u201310\/2019 | Researcher at the Chair of Film Studies with a focus on film theory and film aesthetics under <a href=\"https:\/\/ifmlog.blogs.ruhr-uni-bochum.de\/ifm\/personen\/prof-dr-oliver-fahle\/\" target=\"_blank\" rel=\"noreferrer noopener\">Prof. Dr. Oliver Fahle<\/a>, Department of Media Studies, Ruhr University of Bochum<\/li><li>2016\u20132017 | Coordination of the DFG research group \u201cMedia and Mimesis\u2019<\/li><li>2014 | Lecturer at <a href=\"https:\/\/www.en.uni-muenchen.de\/index.html\">Ludwig Maximilian University of Munich<\/a><\/li><li>2008\u20132013 | Master\u2019s degree in Modern German Literature, Political Science and Germanic Linguistics at the Ludwig Maximilian University of Munich<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><u>Publications<\/u><\/strong><\/h3>\n\n\n\n<p><em><strong>Monographs<\/strong><\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>High Definition. Medienphilosophisches Image Processing. L\u00fcneburg: meson press, 2020.<\/li><li>3D. Filmisches Denken einer Unm\u00f6glichkeit. K\u00f6ngishausen &amp; Neumann: W\u00fcrzburg, 2014.<\/li><\/ul>\n\n\n\n<p><em><strong>Edited Volumes<\/strong><\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><em>Mimesis Expanded. Die Ausweitung der mimetischen Zone<\/em>, in collaboration with Friedrich Balke. Bielefeld: Fink, 2020 (forthcoming).<\/li><li><em>Zeitschrift f\u00fcr Medienwissenschaft. Medium | Format<\/em>. 21.1., in collaboration with Alexandra Schneider, Marek Jancovic and Oliver Fahle. Bielefeld: transcript, 2020.<\/li><li><em>Re- and Dissolving Mimesis. Reflections on LoL History<\/em>, in collaboration with Sebastian Althoff, Maja-Lisa M\u00fcller and Franziska Winter. Bielefeld: Fink, 2020.<\/li><li><em>ffk Journal 4<\/em>, <a href=\"http:\/\/www.ffk-journal.de\">www.ffk-journal.de<\/a>, in collaboration with Robert D\u00f6rre, Julia Eckel, Sarah Horn and Leonie Zilch. Hamburg: Avinus, 2019.<\/li><\/ul>\n\n\n\n<p><em><strong>Articles<\/strong><\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Mi(s)metische Existenzweisen, Apoph\u00e4nie und Black (W)holes. Vom Produzieren digitaler \u00c4hnlichkeiten. In: Mimesis Expanded. Die Ausweitung der mimetischen Zone. Herausgegeben zusammen mit Friedrich Balke. Paderborn: Fink, 2021 (im Erscheinen).<\/li><li>Protodokumentarismus. Welterschlie\u00dfung mit National Geographic. In: ffk Journal 6. www.ffk-journal.de. Herausgegeben von Franziska Wagner, Jasmin Kath\u00f6fer, Ingo Bednarek und Tim Glaser, Hamburg: Avinus, 2021 (im Erscheinen).<\/li><li>The \u2018Post\u2019 in Postscript. Post-productive Thinking, Re-Formatted Images. In: <em>Coils of the Serpent: Journal for the Study of Contemporary Power. Deleuze\u2019s \u201cPostscript on the Societies of Control\u201d<\/em>. Edited by Simon Schleusener and Florian Cord, 2020 (forthcoming).<\/li><li>Gilles Deleuze. In: S<em>chl\u00fcsselwerke der Medienwissenschaft.<\/em> Edited by Ivo Ritzer. Wiesbaden: Springer, 2020, in collaboration Oliver Fahle (forthcoming).<\/li><li>Medien\/Denken Umformatieren. In: <em>Experimente lernen, Techniken tauschen. Ein spekulatives Handbuch<\/em>. Edited by Julia Bee and Gerko Egert, 2020 (forthcoming).<\/li><li>Ludog\u00e9nie. Latenz des Computerbildes in Beyond two Souls. In: <em>Nach dem Kino \u2013 vor dem Spiel. Das Computerspielwerk von David Cage und die Medienkultur<\/em>. Edited by Alexander Schlicker, Marcel Schellong and Tobias Unterhuber. Berlin: LIT, 2019, in collaboration Oliver Fahle (forthcoming).<\/li><li>Christopher Nolans Digital Detox, oder: Die vielen Making-ofs von Dunkirk. Filmschaffensprozesse in einer postkinematografischen Wirklichkeit. In: <em>Nach dem Film. \u00c4sthetik und Theorie des digitalen Films<\/em>. No. 18. Edited by Angela Rabing and Winfried Pauleit. 2020, in collaboration Felix Hasebrink.<\/li><li>Einleitung in den Schwerpunkt. In: <em>Zeitschrift f\u00fcr Medienwissenschaft. Medium | Format<\/em>. 21.1. Bielefeld: transcript, 2020, in collaboration with Oliver Fahle, Marek Jancovic and Alexandra Schneider.<\/li><li>HD\u2019s Invention of Continuity and SD\u2019s Resistance? A Historiography of Cinema and Film to (Be)come and Formats to Overcome. In: <em>Format Matters. Standards, Practices, and Politics in Media Cultures.<\/em> Edited by Marek Jancovic, Axel Volmar and Alexandra Schneider. L\u00fcneburg: meson press, 2019.<\/li><li>A.K. (1985). In: <em>Filmische Moderne. 60 Fragmente<\/em>. Edited by Oliver Fahle, Lisa Gotto, Britta Neitzel, Lars Nowak, Hedwig Wagner, Andr\u00e9 Wendler and Daniela Wentz. Bielefeld: transcript, 2019.<\/li><li>Editorial. In: <em>ffk Journal<\/em> 4. Hamburg: Avinus, 2019, in collaboration with Robert D\u00f6rre, Julia Eckel, Sarah Horn and Leonie Zilch.<\/li><li>Werden\/Weiter\/Denken. Rekapitulation eines Post-Cinema-Diskurses. In: <em>Zeitschrift f\u00fcr Medienwissenschaft. Medien\u00f6konomien<\/em>. 18.1. Edited by Monika Dommann, Vinzenz Hediger and Florian Hoof. Bielefeld: transcript, 2018, S. 202\u2013209.<\/li><li>Im diegetischen Jenseits. Filmisches Erz\u00e4hlen au\u00dferhalb der Erz\u00e4hlung. In: <em>Metaphora. Was wissen Medien vom Erz\u00e4hlen?<\/em> Vol. 4. Edited by Christian Kirchmeier, 2018, S. 1\u201321.<\/li><li>Der Verlust der Wirklichkeit. Ein Potpourri digitaler Seinsweisen. In: <em>Der blaue Reiter. Die Seele im digitalen Zeitalter<\/em>. 41. Hannover: Verlag f\u00fcr Philosophie, 2018, S. 44\u201349.<\/li><li>High Definition. Das Versprechen hochaufgel\u00f6ster Bildoberfl\u00e4chen. In: <em>ffk Journal<\/em> 2, S. 6\u201321, <a href=\"http:\/\/www.ffk-journal.de\">www.ffk-journal.de<\/a>, Hamburg: Avinus, 2017, S. 5\u201321.<\/li><li>Meet my Data in Limbo. In: <em>Die Herstellung von Evidenz. Zum Ph\u00e4nomen interaktiver Webdokumentationen<\/em>. Edited by Oliver Fahle, Beate Ochsner and Anna Wiehl, Marburg: Sch\u00fcren, 2016, S. 57\u201377.<\/li><li>Quotation Atlas. The Moving Image in Times of Complexity. In: <em>A History of Cinema without Names<\/em>. Edited by Diego Cavallotti, Federico Giordano and Leonardo Quaresima, Milan\/Udine: Mimesis Edizioni, 2016, S. 165\u2013172.<\/li><li>3D als Experiment. Die Frage nach dem \u201aWozu\u2018 des Kinos. Ein Bericht \u00fcber die 61. Internationalen Kurzfilmtage Oberhausen. In: <em>Medienobservationen<\/em>, Munich, 2015.<\/li><li>Gravity. Filmischer Existenzialismus. In: <em>Medienobservationen<\/em>, Munich, 2014.<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><u>Talks<\/u><\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li><em>National Geographic und das Konzept des Protodokumentarismus. <\/em>Talk presented as part of the 33. annual conference of the ffk (Film- und Fernsehwissenschaftlichen Kolloquium) at HBK Braunschweig | Braunschweig, March 2020<\/li><li><em>Thinking, Searching, Experimenting in Formats. <\/em>Talk presented as part of the workshop &#8220;Ecology of Techniques\u201c at Justus Liebig University of Gie\u00dfen | Gie\u00dfen, February 2020<\/li><li><em>Jeremiah Johnson<\/em>. Talk presented as part of the &#8220;Ringvorlesung Horizon West\u201c at Ruhr University Bochum | Bochum, January 2020<\/li><li><em>Ereignishorizonte. Utopien in Hochaufl\u00f6sung<\/em>. Talk presented as part of the &#8220;Ringvorlesung Medien|Utopien\u201c at Paderborn University | Paderborn, December 2019<\/li><li><em>Hochaufl\u00f6sen. Digitalbildliche Erkenntnisprozesse durch Image Processing<\/em>. Talk presented as part of the international symposium &#8220;Out of Focus? \u2013 Let\u2019s Use Autofocus!\u201c at University Bayreuth | Bayreuth, November 2019<\/li><li><em>Pause und \u201aPose\u2018<\/em>. Talk presented as part of&nbsp; the Pop-Up Lecture &#8220;Operationen der Serialit\u00e4t\u201c at University Bielefeld | Bielefeld, October 2019<\/li><li><em>Epistemologisch Zoomen ins Raw-Material postdigitaler Wirklichkeit. <\/em>Talk presented as part of the annual conference of the GfM 2019 at Universit\u00e4t zu K\u00f6ln | Cologne, 26. September 2019<\/li><li><em>Bilder\/Denken Um\/Formatieren. Praktiken der Hochaufl\u00f6sung<\/em>. Talk presented as part of the Research Colloquium Kunstgeschichte at Bielefeld University | Bielefeld, April 2019<\/li><li><em>Epistemological Zooming. <\/em>Talk presented as part of the international workshop &#8220;Reflections on LOL History\u201c at the Academy of Fine Arts Munich | Munich, January 2019<\/li><li>Introduction for the conference &#8220;Mimesis Expanded\u201c at Ruhr University Bochum | Bochum, November 2018<\/li><li><em>HD &amp; LD<\/em>. Talk presented as part of the workshop &#8220;Reflections on Lumi\u00e8re Galaxy\u201c an der Ruhr-Universit\u00e4t Bochum | Bochum, November 2018<\/li><li><em>Digitale Seh-Szenen.<\/em> Vortrag im Rahmen der Summer Academy &#8220;Media Philology&#8221; at Ruhr University Bochum | Bochum, August 2018<\/li><li><em>Skalierung und Aufl\u00f6sung. Der epistemische Zoom. <\/em>Talk presented as part of a seminar at the Academy of Fine Arts Munich | Munich, June 2018<\/li><li>Introduction for the workshop &#8220;Re\/Dissolution. Learning from Pixels&#8221; in collaboration with Sebastian Althoff at the Academy of Fine Arts Munich | Munich, June 2018<\/li><li><em>High\/Resolution. Epistemological Zooming &amp; Scale Immanence<\/em>. Talk presented as part of the IKKM Princeton-Weimar Summer School &#8220;Scaling. What Happens When We Scale Things Up or Down?&#8221; at Princeton University | Princeton (NJ), June 2018<\/li><li>Talk presented as part of the introduction for the 31. annual conference of the ffk (Film- und Fernsehwissenschaftlichen Kolloquiums) at Ruhr University Bochum | Bochum, February 2018<\/li><li><em>Format reflects Film History<\/em>. Talk presented as part of the conference &#8220;Format Matters&#8221; in collaboration with Oliver Fahle at Johannes Gutenberg University Mainz | Mainz, December 2017<\/li><li><em>Realismen als Delegationen des Dokumentarischen<\/em>. Talk presented as part of the lecture series &#8220;Principles of Disruption&#8221; at TU Dresden | Dresden, October 2017<\/li><li><em>\/. Slash Dot. Konvertierung von Denk\/Formaten<\/em>. Talk presented as part of the workshop &#8220;Constructive Thinking&#8221; at Bauhaus University Weimar | Weimar, September 2017<\/li><li><em>Format-Werden. Hubbles Fernrohr<\/em>. Talk presented as part of the conference &#8220;Vom Medium zum Format&#8221; at Ruhr University Bochum | Bochum, September 2017<\/li><li><em>Das Dokumentarische in HD<\/em>. Talk presented as part of the Grundlagenseminar for the DFG research training group &#8220;Das Dokumentarische. Exzess und Entzug&#8221; at Ruhr-University Bochum | Bochum, June 2017<\/li><li>Response at the panel &#8220;Let\u2019s Talk about Sex&#8221; at the conference &#8220;NECS&#8221; at Universit\u00e9 Sorbonne Nouvelle \u2013 Paris 3 | Paris, June 2017<\/li><li>Talk presented as part of the introduction for the workshop &#8220;Zwischen Nachahmung und Wirkung. Perspektiven minderer Mimesis&#8221; at the Academy of Fine Arts Munich | Munich, December 2016<\/li><li><em>Interview\/Affekt.<\/em> Talk presented as part of the annual conference of the GfM 2016 at Freie Universit\u00e4t Berlin | Berlin, September 2016<\/li><li><em>Das Versprechen der Oberfl\u00e4che: High Definition<\/em>. Talk presented as part of the 29. annual conference of the ffk (Film- und Fernsehwissenschaftlichen Kolloquium) at Bayreuth University | Bayreuth, February 2016<\/li><li><em>Filmen ein Gesicht verleihen. Affektion in Hochaufl\u00f6sung.<\/em> Talk presented as part of the series &#8220;Medien\/Denken&#8221; at Ruhr University Bochum | Bochum, November 2015<\/li><li><em>HD \u2013 Cinematic Affection and Visual Density<\/em>. Talk presented as part of the IKKM Princeton-Weimar Summer School &#8220;Archive Futures&#8221; at Bauhaus University Weimar | Weimar, June 2015<\/li><li><em>3D-Reloaded &#8211; was ist vom stereoskopischen Kino zu erwarten?<\/em>. Panel discussion at the International Short Film Festival Oberhausen | Oberhausen, May 2015<\/li><li><em>Quotation Atlas XXII<\/em>. Talk presented as part of the International Film Studies Conference and International Film Studies Spring School at Universita degli Studi di Udine\/Gorizia | Udine\/Gorizia, March 2015<\/li><li><em>3D \u2013 Filmisches Denken einer Unm\u00f6glichkeit.<\/em> Talk presented as part of the 27. annual conference of the ffk (Film- und Fernsehwissenschaftlichen Kolloquium) at Ludwig Maximilian University Munich| Munich, March 2014<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><u>University Courses<\/u><\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li>Summer Term 2020 | Seminar &#8220;Don\u2019t Worry, (Study) Be Yonc\u00e9\u201c, Institute of Media Studies, Paderborn University<\/li><li>Summer Term 2020 | Seminar &#8220;Un-Ready Mades: Unfertige Medien Denken\u201c, Institute of Media Studies, Paderborn University<\/li><li>Winter Term 2019\/20 | Seminar &#8220;Know Your Meme. Oder: die 100 wichtigsten Memes aller Zeiten!\u201c, Institute of Media Studies, Paderborn University<\/li><li>Winter Term 2019\/20 | Seminar &#8220;Horizon West\u201c, Institute for Media Studies, Ruhr University Bochum<\/li><li>Summer Term 2019 | Seminar &#8220;Too big for the big screen? Unfertige Filme\u201c, Institute for Media Studies, Ruhr University Bochum<\/li><li>Winter Term 2018\/19 | Seminar &#8220;Einf\u00fchrung in die Filmgeschichte: Odyssee und Br\u00fchw\u00fcrfel\u201c, Institute for Media Studies, Ruhr University Bochum<\/li><li>Winter Term 2018\/19 | Seminar &#8220;Moon: The Dark Side of the Medium\u201c, Institute for Media Studies, Ruhr University Bochum<\/li><li>Winter Term 2017\/18 | Seminar \u201eFormat\u201c, Institut f\u00fcr Medienwissenschaft, Ruhr-Universit\u00e4t Bochum<\/li><li>Summer Term 2017 | Seminar &#8220;Das Seminar\u201c, Institute for Media Studies, Ruhr University Bochum<\/li><li>Summer Term 2016 | Seminar &#8220;Einf\u00fchrung in die Filmtheorie\u201c, Institute for Media Studies, Ruhr University Bochum<\/li><li>Summer Term 2016 | Projektseminar &#8220;Videoessays\u201c, Institute for Media Studies, Ruhr University Bochum<\/li><li>Winter Term 2015\/16 | Seminar &#8220;High Definition\u201c, Institute for Media Studies, Ruhr University Bochum<\/li><li>SoSe 2015 | Seminar &#8220;Einf\u00fchrung in die Filmtheorie unter besonderer Ber\u00fccksichtigung von Gilles Deleuzes Kinotheorie\u201c, Institute for Media Studies, Ruhr University Bochum<\/li><li>Winter Term 2014\/15 | Seminar &#8220;Bewusstseinsr\u00e4ume und Seelenlandschaften im Film\u201c, Institute for Media Studies, Ruhr University Bochum<\/li><li>Summer Term 2014 | Seminar &#8220;Visuelle Medien um 1900\u201c, Institute for Communicaton and Media Studies, Ludwig Maximilians University M\u00fcnchen<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><u>Organisation of Events<\/u><\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li>01\/2019 | Organisation of the workshop &#8220;Reflections on LOL History\u201c | International workshop at the Academy of Fine Arts Munich| in collaboration with Sebastian Althoff, Maja-Lisa M\u00fcller and Franziska Winter<\/li><li>11\/2018 | Organisation of the conference &#8220;Mimesis Expanded\u201c at Ruhr University Bochum | with Friedrich Balke<\/li><li>11\/2018 | Organisation of the workshop &#8220;Reflections on the Lumi\u00e8re Galaxy\u201c in collaboration with Francesco Casetti at Ruhr University Bochum | with Felix Hasebrink<\/li><li>06\/2018 | Organisation of the workshop &#8220;Re\/Dissolution. Learning from Pixels\u201c at the Academy of Fine Arts Munich | with Sebastian Althoff<\/li><li>02\/2018 | Organisation of the 31. FFK (Film und Fernsehwissenschaftlichen Kolloquium) at Ruhr University Bochum | with Robert D\u00f6rre, Julia Eckel, Sarah Horn and Leonie Zilch<\/li><li>09\/2017 | Organisation of the conference &#8220;Vom Medium zum Format\u201c&nbsp;at Ruhr University Bochum | with Oliver Fahle<\/li><li>02\/2017 | Organisation of the conference &#8220;Copycat. Dealing with dangerous Mimesis\u201c at Bauhaus University Weimar | with Anika H\u00f6ppner and Karin Kr\u00f6ger<\/li><li>12\/2016 | Organisation of the workshop &#8220;Zwischen Nachahmung und Wirkung. Perspektiven minderer Mimesis\u201c at the Academy of Fine Arts Munich | with Stefan H\u00f6lscher<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><u>Miscellaneous<\/u><\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li>since 2019 | Member of&nbsp; the <strong>Deutschen Gesellschaft f\u00fcr \u00c4sthetik e.V.<\/strong><\/li><li>since 2015 | Member of the <strong>Habilitand*innen-Kolloquiums Medienkulturwissenschaft<\/strong> at Heinrich Heine University D\u00fcsseldorf and Ruhr University Bochum<\/li><li>since 2014 | Member of the <strong>Gesellschaft f\u00fcr Medienwissenschaft<\/strong> (AG Medienphilosophie, AG Filmwissenschaft, AG Gender\/Queer Studies and Medienwissenschaft)<\/li><li>2018 \u2013 2019 | Mitverantwortliche des&nbsp;<strong>Digitale-Lehre-in-GB-Gespr\u00e4chsforums<\/strong> at the Faculty of Philology at Ruhr University Bochum<\/li><\/ul>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>(Associated member since 01\/2020) Contact E-Mail: elisa.linseisen@upb.deWeb: Profile on the website of Paderborn University Title of the PostDoc-Project Protodokumentarismus. Mit<\/p>\n","protected":false},"author":7,"featured_media":0,"parent":1426,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_uag_custom_page_level_css":"","ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-5184","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Elisa Linseisen, Dr. - GRK Das Dokumentarische. Exzess und Entzug<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/assoziierte-mitglieder\/elisa-linseisen\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Elisa Linseisen, Dr. - GRK Das Dokumentarische. Exzess und Entzug\" \/>\n<meta property=\"og:url\" content=\"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/assoziierte-mitglieder\/elisa-linseisen\/\" \/>\n<meta property=\"og:site_name\" content=\"GRK Das Dokumentarische. Exzess und Entzug\" \/>\n<meta property=\"article:modified_time\" content=\"2022-04-20T09:54:51+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/wp-content\/uploads\/2020\/05\/linseisen.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"13 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/das-dokumentarische.blogs.ruhr-uni-bochum.de\\\/assoziierte-mitglieder\\\/elisa-linseisen\\\/\",\"url\":\"https:\\\/\\\/das-dokumentarische.blogs.ruhr-uni-bochum.de\\\/assoziierte-mitglieder\\\/elisa-linseisen\\\/\",\"name\":\"Elisa Linseisen, Dr. - GRK Das Dokumentarische. Exzess und Entzug\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/das-dokumentarische.blogs.ruhr-uni-bochum.de\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/das-dokumentarische.blogs.ruhr-uni-bochum.de\\\/assoziierte-mitglieder\\\/elisa-linseisen\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/das-dokumentarische.blogs.ruhr-uni-bochum.de\\\/assoziierte-mitglieder\\\/elisa-linseisen\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/das-dokumentarische.blogs.ruhr-uni-bochum.de\\\/wp-content\\\/uploads\\\/2020\\\/05\\\/linseisen.jpg\",\"datePublished\":\"2020-05-18T10:45:56+00:00\",\"dateModified\":\"2022-04-20T09:54:51+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/das-dokumentarische.blogs.ruhr-uni-bochum.de\\\/assoziierte-mitglieder\\\/elisa-linseisen\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/das-dokumentarische.blogs.ruhr-uni-bochum.de\\\/assoziierte-mitglieder\\\/elisa-linseisen\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/das-dokumentarische.blogs.ruhr-uni-bochum.de\\\/assoziierte-mitglieder\\\/elisa-linseisen\\\/#primaryimage\",\"url\":\"https:\\\/\\\/das-dokumentarische.blogs.ruhr-uni-bochum.de\\\/wp-content\\\/uploads\\\/2020\\\/05\\\/linseisen.jpg\",\"contentUrl\":\"https:\\\/\\\/das-dokumentarische.blogs.ruhr-uni-bochum.de\\\/wp-content\\\/uploads\\\/2020\\\/05\\\/linseisen.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/das-dokumentarische.blogs.ruhr-uni-bochum.de\\\/assoziierte-mitglieder\\\/elisa-linseisen\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Startseite\",\"item\":\"https:\\\/\\\/das-dokumentarische.blogs.ruhr-uni-bochum.de\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Assoziierte Mitglieder\",\"item\":\"https:\\\/\\\/das-dokumentarische.blogs.ruhr-uni-bochum.de\\\/assoziierte-mitglieder\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Elisa Linseisen, Dr.\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/das-dokumentarische.blogs.ruhr-uni-bochum.de\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/das-dokumentarische.blogs.ruhr-uni-bochum.de\\\/en\\\/\",\"name\":\"GRK Das Dokumentarische. Exzess und Entzug\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/das-dokumentarische.blogs.ruhr-uni-bochum.de\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Elisa Linseisen, Dr. - GRK Das Dokumentarische. Exzess und Entzug","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/assoziierte-mitglieder\/elisa-linseisen\/","og_locale":"en_US","og_type":"article","og_title":"Elisa Linseisen, Dr. - GRK Das Dokumentarische. Exzess und Entzug","og_url":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/assoziierte-mitglieder\/elisa-linseisen\/","og_site_name":"GRK Das Dokumentarische. Exzess und Entzug","article_modified_time":"2022-04-20T09:54:51+00:00","og_image":[{"url":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/wp-content\/uploads\/2020\/05\/linseisen.jpg","type":"","width":"","height":""}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"13 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/assoziierte-mitglieder\/elisa-linseisen\/","url":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/assoziierte-mitglieder\/elisa-linseisen\/","name":"Elisa Linseisen, Dr. - GRK Das Dokumentarische. Exzess und Entzug","isPartOf":{"@id":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/assoziierte-mitglieder\/elisa-linseisen\/#primaryimage"},"image":{"@id":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/assoziierte-mitglieder\/elisa-linseisen\/#primaryimage"},"thumbnailUrl":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/wp-content\/uploads\/2020\/05\/linseisen.jpg","datePublished":"2020-05-18T10:45:56+00:00","dateModified":"2022-04-20T09:54:51+00:00","breadcrumb":{"@id":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/assoziierte-mitglieder\/elisa-linseisen\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/assoziierte-mitglieder\/elisa-linseisen\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/assoziierte-mitglieder\/elisa-linseisen\/#primaryimage","url":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/wp-content\/uploads\/2020\/05\/linseisen.jpg","contentUrl":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/wp-content\/uploads\/2020\/05\/linseisen.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/assoziierte-mitglieder\/elisa-linseisen\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Startseite","item":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/en\/"},{"@type":"ListItem","position":2,"name":"Assoziierte Mitglieder","item":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/assoziierte-mitglieder\/"},{"@type":"ListItem","position":3,"name":"Elisa Linseisen, Dr."}]},{"@type":"WebSite","@id":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/en\/#website","url":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/en\/","name":"GRK Das Dokumentarische. Exzess und Entzug","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"}]}},"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"ultp_layout_landscape_large":false,"ultp_layout_landscape":false,"ultp_layout_portrait":false,"ultp_layout_square":false,"colormag-highlighted-post":false,"colormag-featured-post-medium":false,"colormag-featured-post-small":false,"colormag-featured-image":false,"colormag-default-news":false,"colormag-featured-image-large":false},"uagb_author_info":{"display_name":"das-dokumentarische","author_link":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/en\/author\/dasdoxs6\/"},"uagb_comment_info":0,"uagb_excerpt":"(Associated member since 01\/2020) Contact E-Mail: elisa.linseisen@upb.deWeb: Profile on the website of Paderborn University Title of the PostDoc-Project Protodokumentarismus. Mit","_links":{"self":[{"href":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/en\/wp-json\/wp\/v2\/pages\/5184","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/en\/wp-json\/wp\/v2\/comments?post=5184"}],"version-history":[{"count":37,"href":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/en\/wp-json\/wp\/v2\/pages\/5184\/revisions"}],"predecessor-version":[{"id":8263,"href":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/en\/wp-json\/wp\/v2\/pages\/5184\/revisions\/8263"}],"up":[{"embeddable":true,"href":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/en\/wp-json\/wp\/v2\/pages\/1426"}],"wp:attachment":[{"href":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/en\/wp-json\/wp\/v2\/media?parent=5184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}