{"id":4324,"date":"2019-10-16T20:15:01","date_gmt":"2019-10-16T18:15:01","guid":{"rendered":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/?page_id=4324"},"modified":"2022-07-18T19:06:56","modified_gmt":"2022-07-18T17:06:56","slug":"philipp-hohmann","status":"publish","type":"page","link":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/en\/kollegiat_innen\/philipp-hohmann\/","title":{"rendered":"Philipp Hohmann, M.A."},"content":{"rendered":"\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:26% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"674\" height=\"674\" src=\"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/wp-content\/uploads\/2020\/05\/hohmann_02_fin.jpg\" alt=\"\" class=\"wp-image-5306 size-full\" srcset=\"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/wp-content\/uploads\/2020\/05\/hohmann_02_fin.jpg 674w, https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/wp-content\/uploads\/2020\/05\/hohmann_02_fin-300x300.jpg 300w, https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/wp-content\/uploads\/2020\/05\/hohmann_02_fin-150x150.jpg 150w, https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/wp-content\/uploads\/2020\/05\/hohmann_02_fin-600x600.jpg 600w\" sizes=\"auto, (max-width: 674px) 100vw, 674px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Universit\u00e4tsstr.&nbsp;105<br>44789 Bochum<br>Raum:&nbsp;UNI 105, 3\/26<\/p>\n\n\n\n<p>Telefon: +49 (0) 234\/32-27277<br>E-Mail: philipp.hohmann@ruhr-uni-bochum.de<\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><u>Title<\/u><\/strong><strong><u> of the Dissertation<\/u><\/strong><\/h3>\n\n\n\n<p>Queer Art and Collectivity \u2013 Media Entanglement between Performance and Documentation in Antonia Baehr and Boudry\/Lorenz (Working Title)<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><u>Project Description<\/u><\/strong><\/h3>\n\n\n\n<p>This doctoral thesis considers the relationship between reciprocally emerging (queer) performances and media (books, scores, photographs, videos) and their potential to create (affective) archives by examining the projects of choreographer Antonia Behr and video artist Renate Lorenz. The study focuses on the complicity between the artwork and documentation manifested in these works and investigates the forms of artistic collaboration or collectivity in connection with queer socialities and aesthetics.<\/p>\n\n\n\n<p>Following performances (<em>Lachen<\/em>, 2008; <em>Abecedarium Bestiarium<\/em>, 2013], Baehr publishes books under virtually the same title presenting the scores friends wrote for her and on which the performances were based. Boudry\/Lorenz create film installation based on performances that are only \u2018performed\u2019 for the camera and only restaged and received in a closed (museum) space (<em>N.O.Body<\/em>, 2008; <em>Telepathic Improvisation<\/em>, 2017).<\/p>\n\n\n\n<p>The aim of this project is to examine this material in order to explore crucial tensions between media studies, theatre studies and queer theory. This includes questions of presence or absence (of performers, friends, an audience) and (queer) temporalities, performativity and performance between repetition, eventfulness and indirectness (especially with regard to gender, sexuality and desire) and stages\/media as sites of thinking and feeling. Against the background of affect theory, the study asks to what extent the projects of Baehr\/Boudry\/Lorenz can be read as (self-)documentary work on the representability of queer relationships, bodies, desires and affects and how this work is related to normative and objectivising operations of the documentary and the archival.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><u>Scholarly Career<\/u><\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li>Since October 2019: researcher (doctoral candidate) in the DFG post-graduate programme \u2018The Documentary. Excess and Withdrawal, Ruhr University of Bochum<\/li><li>Since October\/2017: Master\u2019s degree in \u2018Gender Studies and Theatre Studies, Ruhr University of Bochum<\/li><li>April\/2017 to September\/2019: Master\u2019s degree in Stage Research, Ruhr University of Bochum<\/li><li>October\/2013 to March\/2017: Bachelor\u2019s degree in Theatre Studies and Economics, Ruhr University of Bochum<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><u>Publications<\/u><\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li>Unzeitgem\u00e4\u00dfe Betrachtung: Lenz mit Nietzsche lesen, in: Philipp Bl\u00f6meke, J\u00f6rn Etzold, Nikolaus M\u00fcller-Sch\u00f6ll, Judith Sch\u00e4fer et al.,<em> Thewis. Flackernde Formen \u2013 Theater und Poetik<\/em> <em>bei J.M.R. Lenz. <\/em>Edition 2018<em>. <\/em>Available online at: <a href=\"http:\/\/www.theater-wissenschaft.de\/poetologie-verwandtschaften-unzeitgemaesse-betrachtung-lenz-mit-nietzsche-lesen\/\">http:\/\/www.theater-wissenschaft.de\/poetologie-verwandtschaften-unzeitgemaesse-betrachtung-lenz-mit-nietzsche-lesen\/<\/a><\/li><li>Zwischen Repr\u00e4sentationskritik und Aktivismus. Ein Bericht zum Symposium Queer Exhibitions \/ Queer Curating, 19.\/20. Mai, Museum Folkwang, Essen<em>, <\/em>in: Astrid Deuber-Mankowsky\/Anja Michaelsen,<em> onlinejournal kultur &amp; geschlecht, <\/em>Vol<em>.<\/em> #19, July 2017. Available online at: <a href=\"https:\/\/kulturundgeschlecht.blogs.ruhr-uni-bochum.de\/wp-content\/uploads\/2017\/07\/Hohmann_Queer-Curating.pdf\">https:\/\/kulturundgeschlecht.blogs.ruhr-uni-bochum.de\/wp-content\/uploads\/2017\/07\/Hohmann_Queer-Curating.pdf<\/a><\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><u>University Courses<\/u><\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li>Summer term 2019: Introductory Seminar \u201eMit Abschweifungen und Umwegen \u2013 Szenische Forschung studieren\u201c, Performative Research\/Institute of Theatre Studies, Ruhr University Bochum<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><u>Talks<\/u><\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li>&#8220;Queere Kunst und Kollektivit\u00e4t \u2013 Mediale Verschr\u00e4nkungen zwischen Performance, und Dokumentation bei Antonia Baehr und Boudry Lorenz&#8221;, talk presented as par of &#8220;DIS(S)-CONNECT II \u2013 Wie Medien uns trennen und verbinden&#8221;, videobased workshop for PhD candidates, University of Vienna, 17.04.2020<\/li><li>\u201e&#8230;auf dem \u00e4u\u00dfersten Vorgebirge der Jahrhunderte\u201c Zeitlichkeiten und Relationen zwischen Friedrich Nietzsche und F.T. Marinetti\u201c, talk presented as part of the student symposium \u201eAvantgarde und Faschismus\u201c, Ruhr University Bochum, 15.02.2019<\/li><li>\u201eUnzeitgem\u00e4\u00dfe Betrachtung: Lenz mit Nietzsche lesen\u201c, talk presented as part of the symposium \u201eLenz-Herbst\u201c, Theater an der Ruhr, M\u00fclheim an der Ruhr, 09.10.2016<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><u>Organisation of Events<\/u><\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li>Collaboration on the conception and staging of the symposium \u201cAvant-Garde and Fascism\u201d, 15.02.2019, Ruhr University of Bochum<\/li><li>Collaboration on the conception and staging of the symposium \u201cLenz-Herbst\u201d, 8. &amp; 9.10. 2016, Theater an der Ruhr, M\u00fclheim<\/li><li>Collaboration on the conception and staging of the student art festival \u201cZeitzeug\u00ad_ Festival\u201d, 2014\u20132017, Bochum<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><u>Miscellaneous<\/u><\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li>Member of the Society for Media Studies<\/li><li>Member of the Society for Theatre Studies<\/li><li>Member of the dorisdean performance collective<\/li><\/ul>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Universit\u00e4tsstr.&nbsp;10544789 BochumRaum:&nbsp;UNI 105, 3\/26 Telefon: +49 (0) 234\/32-27277E-Mail: philipp.hohmann@ruhr-uni-bochum.de Title of the Dissertation Queer Art and Collectivity \u2013 Media Entanglement<\/p>\n","protected":false},"author":27,"featured_media":0,"parent":366,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_uag_custom_page_level_css":"","ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-4324","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Philipp Hohmann, M.A. - GRK Das Dokumentarische. 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