{"id":377,"date":"2016-11-16T23:23:02","date_gmt":"2016-11-16T22:23:02","guid":{"rendered":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/?page_id=377"},"modified":"2021-04-22T20:23:36","modified_gmt":"2021-04-22T18:23:36","slug":"pia-goebel","status":"publish","type":"page","link":"https:\/\/das-dokumentarische.blogs.ruhr-uni-bochum.de\/en\/kollegiat_innen\/pia-goebel\/","title":{"rendered":"Pia Goebel, M.A."},"content":{"rendered":"

\"goebel_pia\"<\/a>
\nUniversit\u00e4tsstr. 105
\n44789 Bochum<\/p>\n

E-Mail: pia.goebel@rub.de<\/p>\n



<\/p>\n

 <\/p>\n

\n

Title of the Dissertation
\n<\/u><\/strong><\/h3>\n

Documentary Practices in Contemporary Moving Image Art<\/p>\n

\n

Project Description
\n<\/u><\/strong><\/h3>\n

Documentary practices are said to \u201dhave made up one of the most significant tendencies within art during the last two decades\u201c (Lind\/Steyerl 2008). While much has been written about the \u2018documentary turn\u2019 in contemporary art, detailed consideration of the artworks subsumed under this \u2018turn,\u2019 or possibly related to it, is far from having been exhausted. For the most part, \u2018documentary practices\u2019 is deployed merely as umbrella term that seems to describe the heterogeneous formal-aesthetical features of a diversity of artworks rather than the practices, in the literal sense, involved in their creation. The dissertation projects aims to focus on the latter as it is based on the premise that it is in the artists\u2019 practices where commonalities reside not in formal aspects such as technical specifications, length of works, projection\/installation instructions etc. By way of examining a body of exemplary works, and by way of tracing the prevailing practices or their forerunners in the theory and history of documentary practices beyond the artistic field as well as in the history of art, strands of documentary and meta-documentary practices in contemporary moving image will be outlined and scrutinized.<\/p>\n

\n

Scholarly Career
\n<\/u><\/strong><\/h3>\n
    \n
  • Since 10\/2016: Doctoral Student Member of the DFG Research Training Group \u201cDocumentary Practices: Excess and Privation\u201d, Ruhr-Universit\u00e4t Bochum<\/li>\n
  • 10\/2012 to 09\/2016: Master studies in Art History, Freie Universit\u00e4t Berlin<\/li>\n
  • 07\/2015 to 05\/2016: Student assistant, Center for Advanced Studies \u201cBildEvidenz: History and Aesthetics\u201d, Freie Universit\u00e4t Berlin<\/li>\n
  • 10\/2009 to 09\/2012: Bachelor studies in Interdisciplinary Cultural Studies with a focus on Art History, Technische Universit\u00e4t Berlin<\/li>\n<\/ul>\n

     <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

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